Exhibition views

 

Venice Biennial XLVI
Venice Biennial XLVI, Dutch Pavillion, Venice, Italy, 1995
Trio exhibition with Marlene Dumas and Maria Roosen

Film and video

 

Douche (Shower), 1995

Douche (Shower), 1995
35 mm film loop, colour, 4’11”
approx. 300 x 400 cm

Note / In addition to Handstand and Sprong, Van Warmerdam also wanted to make a new film for her contribution to the Venice Biennale. ‘During the humid days of the Venice Biennale, what could be better than cooling off under a shower?’ she wondered. In a radio interview Rudi Fuchs once asked her why she chose to film a man under the shower, to which she replied: ‘This is someone who is very good at showering.’
Shortly after the Biennale she was invited to make a work for NS Schiphol. This was Douche as a permanent installation: ‘A refreshing image for travellers who are sorely in need of it’, the artist comments. The film was reshot and the cinema projector placed in a container that was so dust-free that, to everyone’s surprise, the film could be screened for eight to ten months without changing the copy.

Film and video

 

Douche (Shower), 1995
16 mm film loop, colour, 5’51”
projector, loop system, projection table
approx. 210 x 280 cm
edition 3 + 1 AP

Note / In addition to Handstand and Sprong, Van Warmerdam also wanted to make a new film for her contribution to the Venice Biennale. ‘During the humid days of the Venice Biennale, what could be better than cooling off under a shower?’ she wondered. In a radio interview Rudi Fuchs once asked her why she chose to film a man under the shower, to which she replied: ‘This is someone who is very good at showering.’
Shortly after the Biennale she was invited to make a work for NS Schiphol. This was Douche as a permanent installation: ‘A refreshing image for travellers who are sorely in need of it’, the artist comments. The film was reshot and the cinema projector placed in a container that was so dust-free that, to everyone’s surprise, the film could be screened for eight to ten months without changing the copy.